Winners of the 2020 Annie Awards Announced

Winners of the 2020 Annie Awards have been announced.

Founded in 1972 by June Foray, the Annie Awards are presented annually by the Los Angeles branch of the International Animated Film Association, ASIFA-Hollywood, in recognition of excellence in animation in film and television.

Best Feature

'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Best Indie Feature

'I Lost My Body'
(Xilam for Netflix)

Best Special Production 

'How To Train Your Dragon: Homecoming'
(Dreamworks Animation)

Best Short Subject

'Uncle Thomas: Accounting for the Days'
(Regina Pessoa (Ciclope Filmes, National Film Board of Canada, Les Armateurs))

Best VR

'Bonfire'
(Baobab Studios)

Best Commercial

'The Mystical Journey of Jimmy Page’s ’59 Telecaster'
(Nexus Studios)

Best TV / Media – Preschool

'Ask the Storybots'
(Jibjab Bros. Studios for Netflix)

Best TV / Media – Children

'Disney Mickey Mouse'
(Disney TV Animation / Disney Channel)

Best TV / Media – General Audience

'Bojack Horseman'
(Tornante Productions, LLC for Netflix)

Best Student Film

'The Fox & The Pigeon'
(Sheridan College)

Best FX for TV / Media

Viktor Németh, Szabolcs Illés, Ádám Sipos, Vladimir Zhovna for 'Love, Death & Robots'
(Blur for Netflix)

Best FX for Feature

Benjamin Fiske, Alex Moaveni, Jesse Erickson, Dimitre Berberov, Kee Nam Suong for 'Frozen 2'
(Walt Disney Animation Studios)

Best Character Animation – TV / Media

Aulo Licinio for 'His Dark Materials'
(BBC Studios)

Best Character Animation – Animated Feature

Sergio Martins for 'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Best Character Animation – Live Action

Sidney Kombo-Kintombo for 'Avengers: Endgame'
(Weta Digital)

Best Character Animation – Video Game

Sebastien Parodi, Nicolas Leger for 'Unruly Heroes'
(Magic Design Studios)

Best Character Design – TV / Media

Keiko Murayama for 'Carmen Sandiego'
(Houghton Mifflin Harcourt Publishing and DHX Media for Netflix)

Best Character Design – Feature

Torsten Schrank for 'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Best Direction – TV / Media

Alonso Ramirez Ramos for 'Disney Mickey Mouse'
(Disney TV Animation / Disney Channel)

Best Direction – Feature

Sergio Pablos for 'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Best Music – TV / Media

Rob Cairns for 'Love, Death & Robots'
(Blur for Netflix)

Best Music – Feature

Dan Levy for 'I Lost My Body'
(Xilam for Netflix)

Best Production Design – TV / Media

Alberto Mielgo for 'Love, Death & Robots'
(Blur for Netflix)

Best Production Design – Feature

Szymon Biernaki, Marcin Jakubowski for 'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Best Storyboarding – TV / Media

Kenny Park for 'Carmen Sandiego'
(Houghton Mifflin Harcourt Publishing and DHX Media for Netflix)

Best Storyboarding – Feature

Sergio Pablos for 'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Best Voice Acting – TV / Media

H Jon Benjamin for 'Bob’s Burgers'
(20th Century Fox / Bento Box Entertainment)

Best Voice Acting – Feature

Josh Gad for 'Frozen 2'
(Walt Disney Animation Studios)

Best Writing – TV / Media

Shauna McGarry for 'Tuca & Bertie'
(Tornante Productions, LLC for Netflix)

Best Writing – Feature

Jérémy Clapin, Guillaume Laurant for 'I Lost My Body'
(Xilam for Netflix)

Best Editorial – TV / Media

Bo Juhl, Stacy Auckland, Valerian Zamel for 'Love, Death & Robots'
(Blur for Netflix)

Best Editorial – Feature 

Pablo García Revert for 'Klaus'
(Netflix Presents A Production of The Spa Studios and Atresmedia Cine)

Winsor McCay Award

(in recognition of lifetime or career contributions in animation)
Satoshi Kon (posthumously)
Henry Selick
Ron Clements & John Musker

June Foray Award

(in recognition of a significant and benevolent or charitable impact on the art and industry of animation)
Jeanette Bonds

Ub Iwerks Award

(in recognition of technical advancement that has made a significant impact on the art or industry of animation)
Jim Blinn